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The plot scenario for the story involves a Harvard professor who loses her job and returns home so that she can bid her dying grandmother farewell. Additionally, the heroine, ap, has lost her position as professor and will need to move in with her parents until she can find new employment.
There are many ways in which the failure of cultural integration manifests, and the first is names. Another of the sources of conflict centers on the fact that she is unable to get along with her family, as they resent her for losing her job despite the fact that her termination was conducted through no fault of her own.
When Yap returns home to Hawaii, no family member greets her, and her mother does not even take a break from putting away groceries. The only family member with whom Yap has a strong rapport is her grandmother, Popo, who is ready to die at the conclusion of the story.
The fact that the grandmother is dying also suggests that the narrator will not have any familial support after the grandmother dies. In her last exchange with her grandmother which serves as the final passage of the storyYap refers to herself as a "stupid haole," the same phrase used by the driver in the car on the freeway.
The fact that Yap identifies herself as a "stupid haole" suggests that she actually considers herself to be as much a member of mainland American culture as native Hawaiian culture, reflecting the way she has been marginalized by her family.
Lack of cultural integration also manifests through the narrative structure of the story itself. Specifically, the narrator tells the story in a fragmented, vignette structure that shifts in location and time. The story begins in an airport in Hawaii in the present tense, but then jumps backward in time on a number of occasions, each of which convey scenes where cultural prejudice surfaces.
These shifts are particularly important because location is inextricably linked with culture, so that the absence of a stable location reflects the way in which the narrator does not have a culture in which she is accepted.
Indeed, the fact that the location changes almost constantly parallels the many instances of cultural marginalization inflicted upon the narrator and by her as well. Moreover, by telling the story through a vignette structure, the narrator reveals her conflicted psychological state, as she has difficulty attempting to integrate within her native and adopted cultures.
The cultural prejudice is portrayed in a balanced manner, as it is exhibited by both the mainland and Hawaiian characters. Names, familial interactions, and the structure of the story itself all constitute elements that relate to the theme, and there are no characters who do not exhibit prejudice.
Kearns demonstrates how decades after the integration of Hawaii within the United States, there continues to be animosity tension between the two cultures.Personal Narrative: My Experience as a Drama Club Coach - The play is happening in two weeks.
The sets are tarnished and dusty, numerous parts of it unfinished. The actors are tripping and stumbling over their lines, the less fortunate would have rejoiced at having something whatsoever to stumble upon. - Language of Culture in Communication Culture and its worldview reflects and impacts language in so many ways.
The foundation is not necessarily the language a culture speaks, but how a culture thinks. How a particular culture thinks, acts, and its perception greatly influences and affects communication.
A Tale of Two Cities-Narrative. My Big Fat Greek Wedding: A Narrative Analysis America is a country of many ethnicities, colors, races, and backgrounds. Within this multicultural society, life and various situations bring these cultures together, forcing members of different groups to interact.
This intercultural mix however, invites conflict as differing . Start studying English Final. Learn vocabulary, terms, and more with flashcards, games, and other study tools. distrust of universal narrative about human progress & nature of humanity.
Author of "Sweetheart of the Song Tra Bong" Tim O'Brien protagonist from minority/marginal group who wants to experience personal autonomy from parents.
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Yes Duane, I have seen that Breggin video before, but it was worth viewing again. One button that is too hot for even Breggin to push is how the victims of the extermination program were induced to participate, and that participation improved the efficiency and the cleanliness of the killing machine.