The name actually goes to the doctor who created him. While Bram Stoker, the author of Dracula, expressed rather sexist and unflattering views towards women in his most famous work.
From studio successes like It and A Quiet Placeto smaller yet acclaimed indies like It Follows and Hereditary, there's a new horror film out there for everyone.
But while original and a remake horror films are becoming successful, there hasn't been a good film based on the most classic horror characters in decades.
To remind us of how good they once were or to rub salt into the wound caused by The Dark UniverseUniversal which shares a parent company with SYFY released all 30 of their classic monster films on Blu-ray for the very first time — including all the various sequels and the "monster rallies.
The film, released in February and starring the now-legendary Bela Lugosi, became an instant success. Laemmle didn't waste a second before announcing plans to make more horror films. The role then went to then small-time actor Boris Karloff, who delivered an equally terrifying and touching performance.
Frankenstein was released not even ten months after Dracula, and like its successor, it was an enormous success. But, just like Hollywood today, the Classic Monsters showcased the industry's tendency to pump out sequels as long as they kept making money.
Each of the monsters got at least two sequels each, except for The Wolf Man. The story goes that screenwriter Curt Siodmak jokingly told producer George Waggner that he had a great title for a new film in the series, Frankenstein Meets the Wolf Man, and so the first horror crossover was born.
Video of Frankenstein Meets The Wolfman - Trailer Quality of the film aside, it's safe to say this was a different kind of crossover. Unlike, say, Freddy vs. Jason, or Alien vs. Predator, Universal did not make a cinematic event. The two aforementioned titles had years of anticipation and fan expectations building up, but Frankenstein Meets the Wolf Man was just another film featuring these characters.
Moreover, it just tried to be both a Frankenstein sequel and a Wolf Man film, splitting the story in half with the monsters barely meeting and finally getting to a fight less than two minutes before the end credits.
Even House of Frankenstein isn't that much of a crossover, as the monsters don't really overlap until the last 15 minutes. The thing about taking completely separate films and connecting them means attempting the monumental task of organizing a continuity around stories that take place in different times, use some of the same landscapes — and also share a lot of the same actors.
Even if the monsters met their demises in House of Frankenstein, all three Dracula, the Wolf Man and Frankenstein return a year later without a scratch on them. There is a charm to such an unapologetically absurd film made for nothing else than audience appeal and money sure, entertainment, tooeven if it makes you wonder how they could have introduced some of the other monsters, as neither the Mummy nor the Invisible Man ever show up.
Universal caring so little about their once most profitable properties that they gave them to a pair of comedians, of course!
Imagine if Marvel grew so tired of The Avengers that they led Key and Peele to suddenly make a film with Hulk and Iron Man, then you'd approach Bud Abbott and Lou Costello's winning formula for a fun and exciting if absurdly silly crossover film, 's Abbott and Costello Meet Frankenstein.
They used the monsters as the straight men for the comedic duo, embracing the horror nature of the characters and letting Chaney, Strange and a returning Lugosi to play the characters in the same way they did all those years before, while having Abbott and Costello delivering the punchlines and petrifying screams.
The unfortunate side effect of the success of these films is that it finished turning the Universal Monsters into characters for kids. The main reason cinematic universes fail nowadays is because the first film in the series is only made to sell you on the idea of its sequels.
Think back to Tom Cruise's The Mummy and how cynical it was in its intentions. There are no stakes in the film as you know everyone will return in the multiple sequels and crossovers, and there are no surprises since they already announced there would be more films.
When Nick Fury said to Tony Stark that he was there to talk about "The Avengers Initiative," it was exciting because no one was expecting there to be more than maybe another Iron Man. By comparison, the Universal Classic Monsters all functioned as standalone films.
It was up to the next film's writer to find a way to undo the ending of the previous one, as well as do their best to retell the story for those who missed it. If you are going to do create a shared universe, using your films as teasers for the next one is the absolute worst approach.
Universal may have created the first extended universe as an afterthought after following the joke of a screenwriter with no better ideas, but it was only after numerous successful movies that were in no way tarnished by the crossovers.The story is very well known around the world and has had many remakes to the movie and to the story.
Frankenstein is a world famous character from TV shows to stories and Mary Shelley is the reason why he is so well known around the world. The movie and book portrayed Frankenstein both .
It’s more of a loose reimagining of the Frankenstein legend, starting with Mary Shelley’s novel, than a direct recounting or even a cheeky update of the original story.
This will be a contemporary version of the original Frankenstein story, which began with the novel by Mary Shelley. Frankenstein – TV mini-series, USA, By HORRORPEDIA on 22 January, • (1) Frankenstein is a American television mini-series directed by Kevin Connor (At the Earth’s Core, Motel Hell) from a screenplay by Mark Kruger based on the novel Frankenstein by Mary Shelley.
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In the book Victor traveled to England and Scotland and in the book they did not show this. He was also jailed and then his father came to get him, but in the movie he did not spend any time in jail.
Mary Shelley’s. In Frankenstein by Mary Shelley, the three main characters Robert Walton, Victor Frankenstein and Frankenstein (The Monster) are shown throughout the story, longing and in search for a companion. Throughout the story, the characters struggle with the battle of wanting either sympathy or compassion from a person or both.